MPH @ Gravity Centre

MyPhoneHenge is now up on display at GravityCentre Dallas.  In case you are unnaware, GravityCenter is an incubator for tech startups.  Great ideas and smart innovative people!  Thats my kind of place!

And what a super venue and audience for really big geek art!  Here’s a diagram to explain why.  lol

 

 

Gardens & Glass

I have long been an admirer of glass artist Dale Chihuly. A fellow University of Washington School of Art alumni, he is one of the great contemporary artists of our time. So, when Mary and I heard there was an installation in the Dallas Arboretum, it was not a matter of if, but when we would take a saunter through the grounds. It had to be after my own art obligations to the BIG(D)ESIGN 2012 Conference had been delivered and I had a chance to recover from the intense art creating time of the past few months.  So finally the day came when MyPhoneHenge was history and I was ready to go take in the spectacular mix of art and garden scenery.

The glass work, composed by a team of glass artists with Chihuly directing like a fine tuned machine, has become well-known for its organic forms and exuberant patterns as well as the vivid colors and light properties. The almost floral nature of the images has made the blending of these objects into a garden environment one of those mixes that makes you say, “Yes. Of course”.

Chihuly’s work can be seen in permanent exhibits in many public settings and the past few years has been seen in outdoor settings such as this one. The overcast day was perfect for getting some great photos of these pieces in the garden landscape. Here are some of my photos to enjoy here on my site.

Photographing art is also art. Photography to me is always about going in search of compelling compositions that show us some wonderful view of the subject that we might have otherwise missed. In this expedition, some of the images are of the glass alone while others are more about the unique view at the moment as the art interacts with light, shadow, and reflections, and other elements in the garden.

Some of these take on a painting-like motif, which I find particularly interesting since that’s how Dale Chihuly defines them in the first place, using quick spontaneous two-dimensional art to direct his staff in their creation.

As you can see, some of the most spectacular art in the gardens wil remain after the glass is gone.

- roger

Geek Iconic MyPhoneStone

So is this MyPhoneStone on steroids? Ouch, sore subject these days.  Coincidentally, the first of these pieces go to a bicyclist friend of mine from Texas.  No, not who you’re thinking of.  This Guy is also a motorcyclist and techy UX design geek,  AND one of my Kickstarter supporters.  Remember Kickstarter?  Yes, I am still diligently fulfilling my promises and most of them are met. And here’s one more.  And this one is cool!

I like it when I get excited about something I’ve created.  Trust me; it doesn’t always happen on the first try.  Much sweat and bruises and burns and ideas tried and tweaked and tried again until it gets to the cool.  I’ve got an abrasion from the wire brush wheel to prove it!

Making things that have function almost makes this into work.  But rest assured, though these are functional, they are ART first.  And that is what makes this fun.  Art + geeky tech stuff has to be fun!  Isn’t that one of the laws of thermodynamics?

Practical minded thrifty people – If you just want a thing to set your phone on, I’m sure Radio Shack has something just right for you. And be sure to show your card for your free battery.  Hmmm, do they still do that?  BestBuy has a whole freaking aisle or two of plastic gizmos and stands for your smartphone.  And you can borrow my Reward Zone card!  This is not that.

What this is? Remember when you went to see the Eiffel Tower or the empire State Building, or Statue of Liberty, or some other big thing?  Anyway, remember as you were leaving, you forked over a twenty for some plastic or tinny molded mini-me of the thing to commemorate your visit?   This is more like that.  To those who attended BIG(D)ESIGN either of the past two years and saw MyPhoneHenge or MyFavoriteMachine up close in person, owning a MyPhoneStone is like the mini-Eiffel tower experience except for one very important difference.  We are pretty certain that cute little tower you brought home from France was not actually made by Mr. Eiffel himself. Get it?

Every one of these MyPhoneStones is unique art, signed by the artist, numbered, and photo-documented.  No two are identical (How boring would that be?) The supply is limited to until I get too caught up doing other kinds of art to spend time on these.  And know that I have LOTS of other even more fantastic ideas in mind!  So here’s a tip – don’t count on there being an endless supply of original MyPhoneStones.

In case you still don’t quite get it (I’m sure you do, I just want an excuse to talk more about it) the motif blends the tall monolithic image of the large scale art with the icons that were contain in each one. Remember those icons made from real world objects that were intended to make fun of the metaphorical iconography of virtual devices? Its “physical virtual, low tech rendering of high tech subject matter, ironic, iconic art“.  I know, it seems I am having way too much fun with this!

Imagine making your own little arrangement of MyPhoneHenge using real phones!  They also work great for the classic iPod and totally killer for showing off your business cards!   And please please whatever you do, have fun!

- roger

Thanks Kickstarter Backers! and Pick out your MyPhoneStones!

A gigantic THANK YOU to all of MyPhoneHenge backers!  After many long hours, the art was completed on time for BIG(D)ESIGN 2012.  Electronics, media, and lots of metal hardware, and my heart and brains went into this art.   Making something that topped MyFavoriteMachine in scale and magnitude in every way was challenging, but we managed to pull it off.  It was a huge hit!

Transporting it to the event was done by me, with help from my #2 son, a pallet jack, and a truck with a hydraulic lift.  Due to their size and weight of the pieces and a limited setup window, my goal was to move them mostly assembled from my studio to the location.  Keeping them intact would save time, labor, and avoid some of the risk of something going wrong during final assembly on site where tools were limited.  And since cranking up a welder or a noisy grinder in a hotel lobby would be out of the question, everything needed to be absolutely right before it went into the truck.  Only the electronics were hauled separately to be installed on site along with the steel icons.  The large monitors and the steel icons were carefully boxed along with all of the electronics hardware and cables, etc. It filled the truck to capacity!

An unexpected challenge emerged when we arrived at the hotel.  Though we had verified the loading dock and freight elevator in advance, we soon discovered that the only path between the large ample spaced loading dock and equally generously sized freight elevator was strangely through the hotel kitchen which involved a narrow corridor only 36 inches wide.  Who thought that was a good idea?  I’d like to have a word with them.  Well, it was a very tight squeeze and some floor molding that looked plenty scraped up already got scraped even more, but in the end, the score was: belveal art: 5 and kitchen corridor: zero.  We pallet-jacked the monoliths in place and began assembling.

The process was very physical and I got more sweaty than you would care to hear about, but the art parts all went together exactly according to plan and MyPhoneHenge made its debut to a crowd of conference early birds and trade show exhibitors.  Onlookers immediately gathered around asking questions and wanting to touch the art pieces, which I gladly welcomed. When the inquirers faded, I continued fine-tuning the audio and video and interactive elements into the evening for the large crowd that would arrive the next morning.

The next two days were the fun part. Getting to stand of in the background and watch people’s reactions to the art was such a kick.  Everyone is a child, exploring this set of monoliths of steel resembling familiar things in a totally unexpected motif.  Objects coming out from behind the glass inhabiting our world is a surprise that pleases unexpectedly.  It satisfies an unarticulated appetite, though previous unvoiced, is certainly not unfelt. Many great conversations, too many to post here.Once again, the iconography proved to be the big delighter. In spite of the interactive media that everyone agreed was cool along with the mini TV sets in the icons, etc., there is something just deliciously simple and appealing about the real ordinary objects from daily life embedded in those large steel icons that always brings a smile, usually followed spontaneously by a touch.   People just like them.

There were many special moments, audience reactions, great conversations, even live video interviews using the art as a set.  The highlight for me, however was when one of the ADA design consultants who herself happens to be blind, came by to experience the art.  I offered to provide a guided tour, which was really just me directing her hands from one monolith to the next, hitting the most tactile areas along the way.  It was an awesome and most unexpected adventure.  We both became Bilbo Baggins discovering mysteries beyond the Shire.  She was thrilled just touching and dentifying these objects from the virtual world,  for the first time represented in a form that she could actually perceive in real-life three dimensionally.  The cold, the rough, the jagged, the abstract, the concrete; it was a thrill seeing it all through her hands.  I had been living, eating, breathing this art for the past six months to bring it into existence; I knew every inch of it, and yet it was as if I was seeing it for the first time through her hands acting as eyes for us both.

See more photos at http://belveal.net/?p=1189

And also at http://belveal.net/?p=1116

I’ll be posting video too. But that will take longer.

Okay, its one month later.  Now I’m focused on making sure that all the appreciation gifts are received accordingly.  I have created more MyPhoneStones especially for my Kickstarter contributors and posted photos on my web site.  So, please go to http://belveal.net/?page_id=37&wppa-album=13&wppa-photo=225&wppa-occur=1  to pick the one(s) you like.  People are asking for these, but I am determined to serve my Kickstarter supporters first.

Also, because of complications working with the print shop, there has been a delay in the printing of the t-shirts.  Rather than make people wait further I am offering additional MyPhoneStones in place of the one t-shirt.  An extra MyPhoneStone means you can have one for the office, one for home, or share with a friend!  They also work great as an IPod stand or for business cards.

If this is agreeable to you, please go to the web site and pick the one(s) that you like and email me their numbers along with your mailing address  to contact@belveal.com so I can ship them to you.

I have settled up with some of you.  Some right at the conference.  For others, please hurry to pick the one(s) you like and let me know so I can get  them to you.  It might be good idea though to pick some alternates in case some other early bird picks your favorite MyPhoneStones first.

I would love to send you the MyPhoneStone(s) you want.  So please respond soon.

Thanks again.  I really appreciate the support!

- roger

The Amazing Zuriel Merek

If you missed movie night at BIG(D)ESIGN 2012, then here is a small sampling (literally) of what else you missed.  Electric violinist, Zuriel Merek, local rising talent from Fort Worth captivated us with his amazingly innovative and downright gorgeous compositions. you’ve never heard anything quite like it.

Zuriel is working on his first album – to be released soon. I can’t wait!  Fortunately I was able to capture a few pieces of his performance on video, albeit ordinary audio recording of an extraordinary artist.  I’ll have to be satisfied with this until the studio recording is avaliable.  Follow Zuriel Merek at http://www.zurielmerek.com/

- roger

 

MyPhoneHenge at BIG(D)ESIGN

Thank you to BIG(D)ESIGN 2012 for once again being a marvelous host to my art.  What a great crowd and venue for my brand of “Tech-Expressionist” Sculpture.  And thank you to all my Kickstarter supporters.  Bless You!!  It certainly eases the pain of birthing such a large hulk of metallic media innovation.

Following Big D, this work is going to the Gravity Centre Dallas to adorn the space of creatives. Now, I’ll be looking for others who would like something like this or MyFavoriteMachine to inhabit their offices.  Its an awesome conversation-starter, especially if your business is design-related, really especially if it is about mobile design!

- roger

More photos below. You can also see these as a Slideshow on Flickr http://www.flickr.com/photos/belveal/sets/72157629935295106/show/

 

Kickstarter has Funded!

MyPhoneHenge Kickstarter Project has been funded!  Woohoo!  And a ginormous THANK YOU to all of the supporters who pledged to make it happen.  I am doing my part, sweating over hot flames to make something extraordinarily cool!

With the Actual BIG(D)ESIGN 2012 conference this week, I am making the final pieces for assembly of this monstrous multi-dimensional work of art.  You’re gonna like it!  :-)

- roger

Tune in, Get Creative, and Share

The Texas Sculpture Association show at the Aloft Hotel Dallas is underway.  The artists’ reception was yesterday evening. Great time had by all.  It was fun meeting people and looking at a wide spectrum of styles.  I am proud to be displaying my work alongside these other artists’ work.

Some Observations:

  • Out of 90+ works in the show, there was only one that had anything directly to do with technology in subject matter or substance;  MyFavoriteMachine
  • Multiple people commented to me, not just that they liked MFM, but that they enjoyed watching other people engaging with it. Hmmm.
  • There were a few people who expressed absolute ecstatic excitement over MFM.  They happened to be the youngest people in the place.  They were Twenty-ish while most of the art crowd appeared to be in the age bracket of between fifty and a hundred years old.  Whadja say, sonny?
  • One young man told me he came to the show just to see MFM.  Thanks Justin.  It was great meeting you.  More important than my being flattered, it tells me something about the appeal of this art motif that I have invented.  Maybe anyone could have guessed it, but I like the way the evidence is stacking up.

Conclusions:

  • All Young people get it.
  • Some older Tech savvy people get it.
  • People who are basically outside the box thinkers get it.

This is consistent with the response I have gotten so far already as it has appeared in various locations.

Who I don’t expect to get it:

  • People who are not current with technology, not that you must know how to operate it, but this art is about technology from an up-close personal and social/cultural point of view.   Art connecting to an expereince that they do not share would naturally be a like a dance to music they cannot hear.
  • Some Art establishment people. The reason is interesting and I am still figuring it out.  Ironically, while we think of artists as outside the box thinkers, the fact is they have their own boxes.   There are plenty of rules and conventions that must be adhered to in order to fit into the art world as we know it today.  MFM violates some of those rules.  I may elaborate on that later, but for now I’ll compare it to a Seattle grunge band playing at a swing / big band recital.  That Art world is about to change and MFM will help change it.  I clearly recall a similar thing happening in the tech world when the world wide web happened.  There were plenty of reasonably smart tech people that said it was “just a fad” and would quickly fade. I being a youthful analyst at the time got extremely excited as I brainstormed endless things that the web could be used to do. One of my collegues who I choose not to embarrass told me, “Roger, to a man with a hammer, everything looks like a nail”.  Well, today, virtually everything is a nail.  In fact, there are far more nails in the world than ever I could have imagined.

What to do with this?  My experiment:

  • Where to go from here seems very clear.  In the words of my twenty-ish daughter, “Play to the young crowd”.
  • So, I will be looking for opportunities to display works from the MyFavoriteMachine series on college campuses and other locations where young people gather, any place where creativity is fostered.  Art and or technology departments of course would be targets, but also cultural anthropology, sociology, and really anywhere the cross-over between sciences and humanities is contempleted. If you have suggestions and contacts for such places that would be interested in hosting MFM, please let me know.  They can contact me at contact@belveal.com

“Timothy Leary is Dead” indeed and his legacy is a negative one.  Still, I’d like to latch on to the idea that he had of encouraging young people to expand their thinking, but take it in a positive direction.  I’ll reuse the first step, ‘tune In”  which now refers (not reefers)  to the technology culture and add my own second and third steps.

Tune in, Get Creative, and Share something good with others.

- roger

A great tune with a little time and age introspection built in by the Moody Blues